TITLE: Language Driving Programming AUTHOR: Eugene Wallingford DATE: April 12, 2009 6:46 PM DESC: ----- BODY: William Stafford's Writing the Australian Crawl includes several essays on language, words, and diction in poetry. Words and language -- he and others say -- are co-authors of poems. Their shapes and sounds drive the writer in unexpected ways and give rise to unexpected results, which are the poems that they needed to write, whatever they had in mind when they started. This idea seems fundamental to the process of creation for most poets. We in CS think a lot about language. It is part of the fabric of our discipline, even when we don't deal in software. Some of us in CS education think and talk way too much about programming languages: Pascal! Java! Ada! Scheme! But even if we grant that there is art in programming and programs, can we say that language drives us as we build our software? That language is the co-author of our programs? That its words and shapes (and sounds?) drive the programmer in unexpected ways and gives rise to unexpected results, which are the programs we need to write, whatever we have in mind when we start? Can the programmer's experience resemble in any way the poet's experience that Stafford describes?
[Language] begins to distort, by congealing parts of the total experience into successive, partially relevant signals.... [It] begins to enhance the experience because of a weird quality of language: the successive distortions of language have their own cumulative potential, and under certain conditions the distortions of language can reverberate into new experiences more various, more powerful, and more revealing than the experiences that set off language in the first place.Successive distortions with cumulative potential... Programmers tend not to like it when the language they use, or must use, distorts what they want to say, and the cumulative effects of such distortions in a program that can give us something that feels cumbersome, feels wrong, is wrong. Still... I think of my experiences coding in Smalltalk and Scheme, and recall hearing others tell similar tales. I have felt Smalltalk push me towards objects I wasn't planning to write, even to objects of a kind I had previously been unaware. Null objects, and numbers as control structures; objects as streams of behavior. Patterns of object-oriented programs often give rise to mythical objects that don't exist in the world, which belies OOP's oft-stated intention to build accurate models of the world. I have felt Scheme push me toward abstractions I did not know existed until just that moment, abstractions so abstract that they make me -- and many a programmer already fearful of functional style -- uncomfortable. Yet it is simply the correct code to write. For me: Smalltalk and Lisp and Scheme, yes. Maybe Ruby. Not Java. C? Is my question even meaningful? Or am I drowning in my own inability to maintain suitable boundaries between things that don't belong together? -----