TITLE: Universal Ideas of Harmonious Design AUTHOR: Eugene Wallingford DATE: October 23, 2009 3:11 PM DESC: ----- BODY: I didn't write this comment on the blog entry Wa: The key to clear, harmonious design:
I know that you are talking about visual design, but I am struck by how this approach applies to many other domains.But I could have. I started university life intending to become an architect, and my interest in visual design has remained strong through the years. I was delighted when I learned of Christopher Alexander's influence on some in the software world, because it gave me more opportunities to read and think about architectural design -- and to think about how its ideas relate to how we design software. I am quite interested in the notion that there are universal truths about design, and even if not what we can learn from designers in other disciplines. Garr Reynolds identifies seven principles of the Zen aesthetic of harmony. Like the commenter, my thoughts turned quickly from the visual world to another domain. For me, the domain is software. How well do these principles of harmony apply to software? Several are staples of software design. Others require more thought.
(1) Embrace economy of materials and meansThese are no-brainers. Programmers want to keep their code clean, and most prefer an economical style, even when using a language that requires more overhead than they would like.
(3) Keep things clean and clutter-free
(6) Think not only of yourself, but of the other (e.g., the viewer).When we develop software, we have several kinds of others to consider. The most obvious are our users. We have disciplines, such as human-computer interaction, and development styles, such as user-centered design, focused squarely on the people who will use our programs. We also need to think of other programmers. These are the people who will read our code. Software usually spends much more time in maintenance than in creation, so readability pays off in a huge way over time. We can help our readers by writing good documentation, an essential complement to our programs. However, the best way to help our readers is to write readable code. In this we are more like Reynolds's presenters. We need to focus on the clarity and beauty of our primary product. Finally, let's not forget our customers and our clients, the people who pay us to write software. To me, one of the most encouraging contributions of XP was its emphasis on delivering tangible value to our customers every day.
(7) Remain humble and modest.This is not technical advice. It is human advice. And I think it is underrated in too many contexts. I have worked with programmers who were not humble enough. Sadly, I have been that programmer, too. A lack of humility almost always hurts the project and the team. Reynolds is right in saying that true confidence follows from humility and modesty. Without humility, a programmer is prone to drift into arrogance, and arrogance is more dangerous than incompetence. A programmer needs to balance humility against gumption, the hubris that empowers us to tackle problems which seem insurmountable. I have always found that humility is a great asset when I have the gumption to tackle a big problem. Humility keeps me alert to things I don't understand or might not see otherwise, and it encourages me to take care at each step. ... Now come a couple of principles that cause me to thing harder.
(2) Repeat design elements.Duplication is a bane to software developers. We long ago recognized that repetition of the same code creates so many problems for writing and modifying software that we have coined maxims such as "Don't repeat yourself" and "Say it one once and only once." We even create acronyms such as DRY to get the idea across in three spare letters. However, at another level, repetition is unavoidable. A stack is a powerful way to organize and manipulate data, so we want to use one whenever it helps. Rather than copy and paste the code, we create an abstract data type or a class and reuse the component by instantiating it. Software reuse of this sort is how programmers repeat design elements. Indeed, one of the most basic ideas in all of programming is the procedure, an abstraction of a repeated behavioral element. It is fundamental to all programming, and one of the contributions that computer science made as we moved away from our roots in mathematics. In the last two decades, programmers have begun to embrace repeatable design units at higher levels. Design patterns recur across contexts, and so now we do our best to document them and share them with others. Architectures and protocols and, yes, even our languages are ways to reify recurring patterns in a way that makes using them as convenient as possible.
(4) Avoid symmetry.Some programmers may look at this principle and say, "Huh? How can this apply? I'm not even sure what it means in the context of software." When linguistic structures and data structures repeat, they repeat just as they are, bringing a natural symmetry to the algorithms we use and the code we write. But at the level of design patterns and architectures, things are not so simple. Christopher Alexander, the building architect who is the intellectual forefather of the software patterns community, famously said that a pattern appears a million times, but never exactly the same. The pattern is molded to fit the peculiar forces at play in each system. This seems to me a form of breaking symmetry. But we can take the idea of avoiding symmetry farther. In the mathematical and scientific communities, there has long been a technical definition of symmetry in groups, as well as a corresponding definition of breaking symmetry in patterns. Only a few people in the software community have taken this formal step with design patterns. Chief among them are Jim Coplien and Liping Zhao. Check out their book chapter, Symmetry Breaking in Software Patterns, if you'd like to learn more. A few years ago I was able to spend some time looking at this paper and at some of the scientific literature on patterns and symmetry breaking. Unfortunately, I have not been able to return to it since. I don't yet fully understand these ideas, but I think I understand enough to see that there is something important here. This glimmer convinces me that avoiding symmetry is perhaps an important principle for us software designers, one worthy of deeper investigation. ... This leaves us with one more principle from the Presentation Zen article:
(5) Avoid the obvious in favor of the subtleThis is the one principle out of the seven that I think does not apply to writing software. All other things being equal, we should prefer the obvious to the subtle. Doing something that isn't obvious is the single best reason to write a comment in our code. When we must do something unexpected by our readers, we must tell them what we have done and why. Subtlety is an impediment to understanding code. Perhaps this is a way in which we who work in software differ from creative artists. Subtlety can enhance a work of art, by letting -- even requiring -- the mind to sense, explore, and discover something beyond the surface. As much art as there is in good code, code is at its core a functional document. Requiring maintenance programmers to mull over a procedure and to explore its hidden treasures only slows them down and increases the chances that they will make errors while changing it. I love subtlety in algorithms and designs, and I think I've learned a lot from reading code that engages me in a way I've not experienced before. But there is something dangerous about code in which subtlety becomes more important than what the program does. Blaine Buxton recently wrote a nice entry on the idea of devilishly clever code:
But, it got me thinking about clever and production code. In my opinion, clever is never good or wanted in production code. It's great to learn and understand clever code, though. It's a great mental workout to keep you sharp.Maybe I am missing something subtle here; I've been accused of not seeing nuance before. This may be like the principle of avoiding symmetry, but I haven't reached the glimmer of understanding yet. Certainly, many people speak of Apple's great success with subtle design that engages and appeals to users in a way that other design companies do not. Others, though attribute its success to creating products that are intuitive to use. To me, intuitiveness points more to obviousness and clarity than to subtlety. And besides, Apple's user experience is at the level of design Reynolds is talking about, not at the level of code. I would love to hear examples, pro and con, of subtlety in code. I'd love to learn something new! -----